Those of us whom spent my youth in united states into the 1960s and 70s lacked art, Bible tales, and history as universal sources. The tome that shaped our values most tangibly had been the emporium catalogue, a wish guide of that which we might have and whom we’re able to be when we first got it. Gender had been plainly defined, competition ended up being single, and course had been center. In this performance we utilize the tableau type to enact a typical page through the Eaton’s catalogue, the most-read book of your Canadian youth. We now have paired women’s formals (a appearance we now have had trouble effectively fitting into) with restroom plumbing work to invoke the endless bounty, cleanliness and hope that the catalogue implied. Three females stay in vacant stillness, water streaming through the spouts at their breasts.
Duration: The 15 moment performance is duplicated twice an hour or so
First performed: March 1998, Hallwalls Centre for modern Art, Buffalo, nyc. Later done at Counterposes, Montreal, curated by Jennifer Fisher and Jim Drobnick.
Astroart area Corps
Commanders Dempsey and Millan are getting ready to enter deep area, to produce revisionist stellar cartography and explore the resistant nature of anti-matter.
First performed: 2014, La Nuit Blanche, Calgary, Alberta september
Photos by Lindsey Bond
The revolting together with revolutionary, the reviled while the revered are united by locks in this right time travelling sing-along. Through the wigged females of Ancient Rome to your hirsute levels of seventeenth century France to those really hairy 1960s: the world’s many infamous queen traces the real history of radical tresses while thinking democracy.
“we want my personal revolution. I do want to cut back field tops, and purchase one out of the mail. Continue reading “Tableau Vivant: Eaton’s Catalogue 1976”